Showing posts with label firsts. Show all posts
Showing posts with label firsts. Show all posts

Saturday, October 3, 2015

Haikus: Epiphany

I know this summer I haven't posted as much as usual.  Due to my job and thesis research, I didn't have as much time for personal writing as I wanted to.  I did find myself jotting down phrases on the go and eventually got the idea to work on a collection of haikus.  I had a lot of fun with this project and it was really fascinating how once I embraced the form, it seems like I started thinking 5-7-5.  I'm not sure if this project is over, but it's time I share these snippets from the past few months.

So, without further adieu, summer 2015 according to Haikus: Epiphany.


* * * * *



Cascadia:
Disillusioned ones
walk on. But the face of God
is a mountainside. 



Staying up the hours the carpool lane is open:
Embrace the night owl 
living within yourself and 
stop harboring guilt.



Post Alley:
I don't remember
the song playing, but I now 
have my alibi 



Flat Rate Boxes:
Can't account for the 
words, tears, everything, but...
"You want your stuff back?" 



Park West:
See the pale half-moon, 
fire-red sun share the sky
and feel my pulse calm. 



Breakfast conversations:
"Girls go to work, too?"
As mothers and execs, but
yes, darling girl, yes.



12805:
Strangers footprints mark
once most-familiar floors,
when home is not home.



Soho, 1.30am:
"What the hell is that?"
Your wedding ring... Brokenness 
I can't help you bear. 



Anticipation:
Oxford isn't a place, 
but an ancient creature made
of heart-beating stones. 



Original Starbucks:
Spain. England. Belgium. 
"No, that wasn't the last one." 
Stroking away fears...



Welcome:
Fresh-faced pixies, once
I was like you, before I 
felt always behind. 



Cœur de la vallée:
Wood smoke.  Unbroke.  Our
star-gazing conversations
ease anxiety. 



Highway 101:
Ever think about
Seattle and recall that
corridor we shared? 



An Erasure from Compline, Book of Common Prayer:
Glory to Father, Son 
Holy Spirit, as it was, 
is, will be. Amen.



Westview:
That moment when they
cry, "I can't believe..." and it's
like vindication. 



Monday, March 2, 2015

This is happening :D


It is based on the paper I wrote last term.  Here is the abstract:

Adaptation Theo(re-) and The Lizzie Bennet Diaries

My paper examines the current environment of adaptation studies as applied to new media forms of storytelling.  Evolving from a word vs. image debate, the adaptation theories produced by Robert Stam and Linda Hutcheon are opening a space for dialogic exploration, with Hutcheon suggesting adaptation is about “repetition, but repetition without replication.”  Both suggest that the aim of re-telling a story is not direct translation, but re-interpretation and re-creation, and are interested in viewing these re-creations as palimpsest, investigating how adaptation allows people to see the original work in a new way.

After a review of the shift in adaptation perspectives, this paper turns to look at The Lizzie Bennet Diaries, a transmedia retelling of Pride and Prejudice set as a vlog in modern day California.  Across platforms including YouTube, Twitter, Tumblr, and Pinterest, this Emmy-award winning web series spent a year re-working the 200-year-old novel in “real-time.”  While completely re-interpreting certain concerns—the Bennet’s entailed estate is now a faulty mortgage; Collins “proposal” is for a job, not a marriage—the creators of this series simply update others.  In this paper and PowerPoint presentation, I argue that far from detracting from the core narrative, these changes were made in order to better explore the question at the core of both Jane Austen’s novel and the web series.

In the final turn of my paper, I examine how centering the climax of the story on their interpretation of the Lydia-Wickham scandal, the creators of this series take Lizzie’s empathetic lesson a step further, extending her repentance to include both her misunderstanding of Darcy and of a fully realized Lydia Bennet.  In doing so, they not only work against stereotype, but also encourage viewers to re-examine their assumption of Pride and Prejudice, creating the type of palimpsestuous learning moment adaptation studies strive for.