Mini-review: Eleanor & Park

This is a book I read several months ago, but due to a conversation with a colleague I realized I had never reviewed it and that I probably should.  

* * * * * * * * * * * * * * * * *

Title:  Eleanor & Park

Author:  Rainbow Rowell

Published:  2012

Year I read it:  2014

One sentence summary:  This 1980's, YA, Romance isn't what you'd expect; it's about red-headed, socially awkward, physically and emotionally impoverished Eleanor and half-American, half-Korean, cool-kid Park - two different "outsiders" who discover that true love means becoming "insiders" of something beautiful.

Interesting fact:  Though it won critical acclaim and awards like Amazon's Teen Book of the Year, Amazon's Top Ten Book of the Year, and Goodreads Choice Award for Best Young Adult Book of the Year, the novel was censored in some American high schools. NPR addressed this in their pop-culture blog, saying, ""What's worrying about treating Eleanor & Park as a nasty book, or a dirty book, or an immoral book, is that it transforms talking about how to survive ugliness into something that's no different from ugliness itself. It makes the act of telling a story about rising above misery a miserable thing."

Three reasons to read it:

• This book feels like John Green (The Fault in Our Stars, Looking for Alaska) and Stephen Chbosky (Perks of Being a Wallflower) had a sister and she wrote a high-school romance set in 1980's Nebraska.  I say this because she captures the interiority of adolescence beautifully, aware of the dark, but not overwhelmed by it.  Alternating between Eleanor & Park as narrators, she carefully and graciously uncovers the different ways we suffer pain - be it poverty, racism, abuse, or bullying.  It is a profound book. 
• I read this book in one sitting.  It's that compelling.
• I hadn't read a true Romance for a while - a book about falling in love.  Romance was usually incidental to the fantasy adventure or contemporary novel I was reading.  But Rowell does an incredibly job recounting what it's like to fall in love for the first time.  She takes a few pages just to convey the sensation of what it's like to first hold someone's hand.  It may sound sappy, but it is a breathtaking story of what love is like.

One reason you maybe shouldn't:

• The story does get dark.  There is mature language in an abusive context, which could definitely be a trigger to some.

Great quotes:

Eleanor was right. She never looked nice. She looked like art, and art wasn't supposed to look nice; it was supposed to make you feel something.

Holding Eleanor's hand was like holding a butterfly. Or a heartbeat. Like holding something complete, and completely alive.

“I want everyone to meet you. You're my favorite person of all time.” 

I don't like you, Park," she said, sounding for a second like she actually meant it. "I..." - her voice nearly disappeared - "think I live for you."  He closed his eyes and pressed his head back into his pillow.  "I don't think I even breathe when we're not together," she whispered. "Which means, when I see you on Monday morning, it's been like sixty hours since I've taken a breath. That's probably why I'm so crabby, and why I snap at you. All I do when we're apart is think about you, and all I do when we're together is panic. Because every second feels so important. And because I'm so out of control, I can't help myself. I'm not even mine anymore, I'm yours, and what if you decide that you don't want me? How could you want me like I want you?" He was quiet. He wanted everything she'd just said to be the last thing he heard. He wanted to fall asleep with 'I want you' in his ears. 

“Nothing before you counts," he said. "And I can't even imagine an after." 

Next Steps

Have you ever told yourself that this thing you love is just a side thing, a hobby, something you will only love amateurly? And then one day you woke up and realized that all along it was the thing?

Well, I have.

If you've read much of anything I post on here, you know I can boil down quite a few of my favorite things to stories, narrative, adaptations, novels, films, that sort of thing...  Last fall, I began really wrestling with what these passions are for and how they might all fit together.  Graduate school had been weighing on my mind for some time - but grad school for what exactly?  Somehow, I didn't think, "I just really love stories - will you let me back in?" was going to cut it for a personal statement. But, there were times sitting at an office desk when I couldn't help but whisper to myself, "I don't belong here..."

When I finally did allow myself to believe that maybe I could actually pursue this thing I love so deeply, it became clear that going back to school was the necessary step.  So I entered this marathon of applications, I put a label on what I want to research - "transmuted adaptation" - and I started asking for a lot of help.  After a very grueling application process, a lot of prayer, too many vague posts, and anxiously waiting...

I am very excited to announce that I am returning to school this September. I will be pursuing a Master's in English and Film at Oregon State University and, thanks to their generous funding package, I'll also be teaching English composition.

Thinking about graduate school makes me feel like I'm returning home and that I'm venturing into some wilderness all at the same time.  And I'm so excited!  Though I try again and again, stories matter more to me than I can articulate.  So for the next two years, I'm going to give myself to stories, to the power of a classic novel told in a new way, and to inspiring others why we need to keep reading these narratives.

I am going back to school.

Red Rising

Recently I came across this buzzfeed article about up-and-coming NYT best-selling author Pierce Brown.  His def-con-5 nerd level and the description of his dystopian future novel, Red Rising, intrigued me, so I added it to the list.  After a little more research, reading some brief reviews, and discovering we had a mutual friend, I ordered Brown's novel and bumped it up to my next read.  And I'm glad I did.  This, the first book in the "Red Rising Trilogy" was released less than a month ago.  Since then it's maintained a spot on the NYT best-seller's list, won rave reviews, and Universal has bought the film-rights, with a director and producer already attached.  Everything indicates that this is going to be big!

[via]

But let me back up and give my best non-spoilerific summary of Red Rising:

Darrow is a colonist on Mars, born into a color-coded caste-system with Reds - Darrow's people - on the lowest rung and Golds on the very highest.  His community slaves away miles under the surface of Mars, mining materials needed so the Golds can one day terraform their way across the galaxy.  After his wife, Eo, convinces him that freedom is worth any cost, Darrow joins a liberation movement.  But in order to fight for that freedom, he must transform himself into a Gold, attend their prestigious "Institute," and do whatever it takes to infiltrate the highest Gold position possible.

In this world, Brown creates an intense, fast-paced story that examines what freedom means and what it costs. The plot, though tricky at times, is carefully woven and moves incredibly quick.  This includes inciting action(s) extremely early - lots of "They wouldn't actually... Oh my gosh, they are!" moments - creating high stakes early on.  Instead of setting everything up and explaining, Brown does a very good job explaining as he goes, providing clues only as needed.  After reading a few too many first-person, present-tense narrations where I felt a bit smarter than the narrator (Um, hello, Katniss. Guess what - Peeta is only pretending to be a Career to save you), I was grateful that along with Darrow, I was blindsided by one game-changing surprise after another.  Red Rising is one of those books where you might have to cover up the opposite page so as to not spoil one of the many intense moments of the novel.  These were such proper jaw-dropping, hand-over-mouth shocks that, even though I finished 3 days ago, I am still shaking my head, thinking, "Wow!  He just pulled that off."  And despite the high-stakes and driving plot, I was grateful Brown created a sense of resolution amidst incredible suspense at the end of his first novel. 

As the novel progressed, I was grateful that it moved from a straightforward cry of freedom to a realization that, sometimes, there is not such a clear difference between the oppressor and the oppressed.  Darrow learns that a depraved person with power will exploit and manipulate no matter if they were born rich or poor, commentating, "The measure of a man is what he does when he has power." Brown explores not only this complex French-revolution-like lesson, but also a much more current issue of "us vs. them."  Darrow is in the process of learning who the real enemy is.  In one of my favorite lines of the novel, he encounters a Gold and thinks "he doesn't seem a monster.  He should be a monster."  But he discovers things are rarely so simple.  We are a generation that refuses to be defined by the "us vs. them" labels of the 20th century (and continued to cling on to the start of the 21st).  So, telling this story that seems so black and white, but using it to demonstrate social complexity is brilliant.

Now, addressing a concern I've heard a few times... The observant eye will note that The Hunger Games is mentioned no less than 4 times on the cover of Red Rising.  This, combined with certain other parallels in the story, have caused concern Brown's novel was a "ripoff" of Suzanne Collin's brilliant work, but I would argue this isn't the case at all.  Just about any story about oppressed groups in a sci-fi, fantasy, or dystopian-future landscape is going to overlap.  I believe that creativity does not derive simply from originality of plot and characters, but of how a story is told.  The former is something of a myth, but the latter is what made Homer, Shakespeare, Austen, and Tolkien the greats they are.  One of the main issues, specifically, is that a good portion of the "Institute" is set up as a brutal "game" where the competitors are divided into 12 houses where the goal is not killing but conquering the rest of the houses... which includes quite a lot of killing.  This may sound like THG, but if the Institute was in Panem, it would mean the "Games" were for Capitol youths only and that Katniss had to successfully masquerade as a Capitol citizen to even get into the games.  The point is, Red Rising may have moments reminiscent of The Hunger Games, but is far too innovative and engaging enough on its own merit to be accused of "ripping off" or "copy-catting."  The repeated mention in summaries and reviews of THG is little more than an (understandable) marketing ploy.  I'd also mention a few other stories Red Rising reminded me of, including: Braveheart, Pygmalion/My Fair Lady, Ender's Game, Lord of the Rings, Greek Mythology, The Iliad, Gladitorial games, Harry Potter, Star Wars, The Circle Trilogy, Doctor Who, A Few Good Men and many more.

As incredible and moving as Red Rising was, I have to include some potential detractors.  This was an incredibly brutal, gruesome book.  I would hope that for the film to do it justice, it would be rated R.  On nearly all fronts, this book is dealing with mature topics - murder, rape, a "bloodydamn"* lot profanity, mutilation, overall gore, and, what the movies call, "frightening and intense scenes."  While these are heavy and difficult I would add they are rarely if ever gratuitous.  Brown is painting a very particular picture of this violent culture.  Even the profanity has specific meaning with *certain words becoming a sort of passcode.  To be clear, there is enough brutal detail to turn the stomach, but it is all purposeful, not something reveled in.  This necessarily bleak tone is captured well by the tragic and harrowing opening paragraph:

[Warning: Graphic Content] The first thing you should know about me is I am my father's son.  And when they came for him, I did as he asked.  I did not cry.  Not when the Society televised the arrest.  Not when the Golds tried him.  Not when the Grays hanged him.  Mother hit me for that.  My brother Kieran was supposed to be the stoic one.  He was the elder, I the younger.  I was supposed to cry.  Instead, Kieran bawled like a girl when Little Eo tucked a haemanthus into Father's left work-boot and ran back to her own father's side.  My sister Leanna murmured a lament beside me.  I just watched and thought it a shame that he died dancing but without his dancing shoes.
On Mars there is not much gravity.  So you have to pull the feet to break the neck.  They let the loved ones do it.

As difficult as the crude, cruel tone and topic of this book are, my main concern with the book was something else entirely.  There is an ever-growing trend in fiction I can only describe as a morality that purports to be selfless but is at the same time radically ends-justifies-the-means in it's approach.  I have encountered this in books like The Road, Mockingjay, among others. The idea is that any action is excusable because you're doing it for someone else.  This is an extremely complex issue to address, especially in the context of a fight for freedom, and one that has me often re-visiting Jack Nicholson's infamous "you can't handle the truth" speech.  But the multiple disturbing situations and moral quandaries Darrow face cause the reader to pause and reconsider these issues.

Like Katniss (in at least books 1 & 2 of THG), Darrow demonstrates the power of living for something beyond this life, but he has yet to truly learn the lesson of Ender's empathy.  This was a shockingly good debut novel for 26 year old brown and I am eagerly looking forward to see what surprises are ahead for Darrow and where the sequel takes him.  4.5 / 5 Stars.

Favorite Quotes:

“I live for the dream that my children will be born free,” she says. “That they will be what they like. That they will own the land their father gave them.”
“I live for you,” I say sadly.
Eo kisses my cheek. “Then you must live for more.”

“Why is it so horrible?" I ask him. "Life. All this. Why do they need to make us do this? Why do they treat us like we're their slaves?"
"Power."
"Power isn't real. It's just a word” 


"Funny how a single word can change everything in your life."
"It is not funny at all. Steel is power. Money is power. But of all the things in all the worlds, words are power.”

Review: The Ocean at the End of the Lane

I had high expectations for this book.  In hindsight, that may have been the problem.  

The Ocean at the End of the Lane was my second foray into Neil Gaiman's novels.  I greatly respect him as an author - for a variety of reasons - but I'm afraid Ocean disappointed my expectations.

To briefly set the scene, an middle-aged, unnamed narrator leaves a funeral (presumably a family member's) and drives back to the lane where his childhood home once stood.  Driving [literally] "down memory lane," he comes to the old Hempstock farm at the end.  He then remembers Lettie Hempstock and a long-forgotten week in his childhood that changed everything.  The rest of the novel is told as a sort of prolonged flashback of what occurred.

Being that it's Gaiman, the novel's commentary on life and memory is beautiful.  I also appreciated several of the characters - especially Lettie.  But this was the first book I've read in a long time where I preferred the style and characters to the plot.  At first slightly dull, by the mid-point of the novel I was rather disturbed.  If it weren't for my respect for the author and the book's multiple recommenders [like Patrick Rothfuss's delightful review / fantasy of tree-fort parties with Gaiman and Whedon], I may not have kept reading.  But I am glad I did, because I think the 2nd half was better. 

As for my dislikes, I can pinpoint a couple of things.  

• I can only stand a character being oppressed without agency for so long, and, for such a short book, this 7-year-old boy dealt with agony upon agony - not even anything noble and epic, just meanness and the frustrated plans of a 7-year-old.  
• There were physical descriptions that were just gross.  And there's just something with me and feet wounds - they make me extra queazy.  [Also, fyi, some adult content.]
• Sometimes I think I'm an immature reader for thinking this, but... I do not love magic realism - and most of this book is magic realism.  I think it's because I love fantasy so much that this feels watered down.  I don't mind things being open-ended and left unexplained, but there's something just wonderful about entering the fantastical through a wardrobe or a police box or a train platform, rather than just gradually slipping into unreality without noticing.  I suppose it may have to do with characters generally unquestioning acceptance of magic-realism elements.  The narrator here asks a few questions, but in fantasy, when one enters another realm, they are very much aware of it and their curiosity mirrors my own.  Anyway, parts of the magic in this book were wonderful, but, again, most of them occurred in the 2nd half.

A few general closing comments...  This book felt like one I would have read in my English Honors class - both because of its theme (memory) and the focus on better style than substance.  I do think that the kind of excellent style Gaiman displays makes the book worth reading, just perhaps not as enjoyable.  In the end, I think I expected either more of a reveal or an impossibly brilliant ending [or that it was actually all a dream].  Highlights of the book included its intertextuality, Lettie's character, stunning metaphors for faith, and, we'll just say, the scene "in the Ocean."  Overall? *** out of 5 stars.

I believe the book would stand up even better to a 2nd reading, but I'll have to save that for later.  Off to new worlds - I'll just leave you with these quotes:

“I lay on the bed and lost myself in stories. I liked that. Books were safer than other people anyways.” 

“I liked myths. They weren't adult stories and they weren't children's stories. They were better than that. They just were.” 

“Nobody looks like what they really are on the inside. You don’t. I don’t. People are much more complicated than that. It’s true of everybody.” 

“You don't pass or fail at being a person, dear.” 

“How can you be happy in this world? You have a hole in your heart. You have a gateway inside you to lands beyond the world you know."

Reading 2013

Well, if you're interested in the past, here are lists from 2011 and 2012.

The List:

1	Return of the King - JRR Tolkien*
2	The Fault in Our Stars - John Green
3	Great House - Nicole Krauss
4	Five Dysfunctions of a Team - Patrick Lencioni  (nf)
5	The Time Traveler's Wife - Audrey Niffenegger
6	Gone Girl - Gillian Flynn
7	Great Gatsby - F Scott Fitzgerald*
8	Hunger Games - Suzanne Collins*
9	Catching Fire - Suzanne Collins*
10	Ender's Game - Orson Scott Card
11	Ender's Shadow - Orson Scott Card
12	London War Notes - Mollie Panter-Downes  (nf)
13	Speaker for the Dead -Orson Scott Card
14	Shadow of the Hegemon - Orson Scott Card
15	Shadow Puppets -Orson Scott Card
16	Name of the Wind - Patrick Rothfuss
17	The Wise Man's Fear - Patrick Rothfuss
18	A body in the Library - Agatha Christie
19	Stardust - Neil Gaiman
20	Harry Potter and the Sorcerer's Stone - JK Rowling
21	Harry Potter and the Chamber of Secrets - JK Rowling
22	Harry Potter and the Prisoner of Azkaban - JK Rowling
23	Harry Potter and the Goblet of Fire -JK Rowling
24	Harry Potter and the Order of the Phoenix - JK Rowling
25	Lady in Waiting - Jackie Kendall  (nf)
26	The Book Thief - Markus Zusak
27	Harry Potter and the Half-blood Prince - JK Rowling
28	Harry Potter and the Deathly Hallows - JK Rowling

   29 The Crowd, the Critic, and the Muse - Michael Gungor  (nf)

* indicates a re-read
(nf) indicates non-fiction

General trends:


// I read longer, though fewer books.  I set a goal of 40 books in 2013.  Don't think I'd conjectured the average length of each books would be 435 pages.  You can see below for one of my spiffy graphs.  This shows trends in average number of pages per book and per month over the last 3 years:

// I loooove sci-fi and fantasy [obvi].  I started 2013 by finishing off my re-visit to Middle Earth and another quick trip to District 12, but this only set the stage for journeys into the Enderverse, the Four Corners, Gaiman's Fairyland, and the wizarding world of Harry Potter.  I fully recognize I'm a late (very late) comer to Harry Potter, so I won't even bother "recommending" it, Neil Gaiman speaks for himself, but, a few words on the other two series.

I wrote a formal review of Ender's Game as part of my 31 days project, but here and here are thoughts I shared while reading the 1st book.  I can't recommend Ender's Game highly enough, but I'd also suggest it's parallel novel Ender's Shadow and direct sequel Speaker for the Dead (an anecdote of which I shared here).  I've forayed further into Shadow series, which is a fascinating political and psychological saga.  I'm hoping to finish the Ender Quartet, which I hear is highly philosophical.  Card's fiction is a thought-provoking delight.

As for the Kingkiller Chronicles by Patrick Rothfuss, I did my best to give it a proper review here.  Name of the Wind, Rothfuss's incredible novel debut gripped me from it's earliest pages and once he sets up the frame narrative - there's no going back.  Both it and its sequel, Wise Man's Fear, are innovative fantasy while maintaining some of the familiar qualities I love most about series like Lord of the Rings and Harry Potter (though intended for a more mature audience than either of those series).  I finished these two in August and yet still find myself wondering about the characters as if they were lost friends.  I eagerly await the 3rd and final installment!

All that said, I have enjoyed indulging more in my love for sci-fi, fantasy, and the wonderful spots where they blend.  It's saddening that these are so often relegated to niche literature in academia... but that's a thought for another post.  I have loved these literary journeys and I'm looking forward to a few more in 2014.

// I only just realized looking back at this list that I didn't read a single pre-1900's book this year.  Gatsby, published in 1925, is the earliest novel on the list.

My teenage self would be appalled.  My 23 year old self is rather thrilled.

// Another theme that emerged in my reading habits was learning more about WWII.  Not facts.  Stories.  It was the focus of London War Notes and The Book Thief, but it crept up in plenty of other books too.  London War Notes (passage here) was a heart-breaking and beautiful bi-weekly column written for the New Yorker by an American living in London throughout the war.  Interestingly, The Book Thief, though fictional, was a harrowing tale of "the other side" - how many Germans experienced the war.  As a side note, I think it would be very interesting to read The Book Thief in conjunction with The History of Love.  But these contrasting perspectives make it obvious how unnecessary and tragic the war was - not for one side or the other, but for humanity. 


As for 2014, I'm excited to announce that I'll be taking part of Jon Acuff's "Empty Shelf Project."  I've already cleared the decks and have some books in the wings - so look forward to filling it up! 

I thoroughly enjoyed my literary wanderings in 2013.  More than finding new friends, I found new parts of myself.  These stories lent me courage where I was running low, joy in some dark moments, and love - so much love - for other people.  I couldn't really ask for much more.

Have you read any of these?  What were some of the trends or highlights for your reading in 2013?

Wednesday Creatives: Simon Thomas

Two summers ago, my first Sunday in Oxford, I was at church, meeting lots of new people and one of those was a a guy named Simon.  After some casual conversation, I learned that he was "reading" English Literature for his D-Phil at Magdalen, specializing in obscure female authors of the 1930's.  Oh, and he works for the school library - which in his case, happens to be the Bodleian.  Impressive.  But then he mentions, yah, he has a blog...

Come to find out he has a rather famous book blog, "Stuck in a Book."  Famous as in: several hundred followers, gets invited to Penguin events, and the official Lizzie Bennet Diaries facebook page - they follow Simon's blog.  Oh and on top of being a grad student, working part time for the Bodleian, now and then, part time for Oxford University Press (I'mnotjealousI'mnotjealousI'mnotjealous...), he must read 130+ books a year and then, of course, blogs about them. I consider myself lucky to count Simon as a friend and fellow Janeite, to have discussed LBD episodes via facebook comments, to have followed his trips to Chatsworth and the home(s) of Virginia Woolf, and to have taken up some of his book recommendations [I'm sorry I didn't love Agatha Christie more, but London War Notes was beyond compare!].  And I've mentioned him here before for his review of Peter and Alice.  I'm sure he's going to go onto an illustrious career in publishing or writing or blogging or academia or whatever he chooses to pursue. 


All that to say... He has branched out from book reviews to post some short creative writing, like these witty poems.  Each little one is dedicated to an author and they go something like this:

What the dickens?

Oh Charles, you saw
The humble poor
In such disarming detail -
But somehow missed
In all of this
A single real female.

Dear Aunt Jane

"Sweet, ineffectual Jane, the dear!"
Of all misreadings, wrongest.
Her barbs will last two hundred years;
Her laughs, both loud and longest.


Aren't those fun?  Do check out both parts 1 and 2   Also quite good is his "One place, Many Simons" article, regarding the idea of the same place becoming part of our story in many different ways.

Today, though, he outdid himself.  A fan of hilarious, literary, and/or witty short stories? Read "Jane Austen wrote the works of William Shakespeare."  Having experienced one or two academic conferences and after writing my thesis on the critical history comparing Austen to Shakespeare - this made me cry with laughter.  Such a joy!

Powell's Purchases

This weekend my older sister, Melissa, and I got to go on a rare and long-awaited girls' getaway to Portland.  It. was. splendid!

Of course we took a trip to Powell's, so I wanted to give you a little rundown on the winners :)

[right before succumbing to a basket]

 \\ Name of the Wind and Wise Man's Fear by Patrick Rothfuss.  I read both of these this summer and blogged about them here.  I had borrowed a friend's copies, but, after reading, really wanted my own set to mark up, reference, and loan out.  Checkity-check.

\\ First Meetings by Orson Scott Card.  A set of short, origin stories in the Enderverse - including the original 1977 "Ender's Game" short story - was just too much to pass up.  

\\ Sarah's Key by Tatiana de Rosnay.  I'd been wanting to read this book since I saw the trailer for this adaptation 2 years ago.  Since then, every visit to Powell's has included me at least considering this book.  On Saturday, I finally caved.  Can't wait to read it :)

\\ [not pictured] The Everlasting Man and The Ball and the Cross by GK Chesterton.  Because Chesterton.  The first is theology; the latter, a novel.  I've heard good things of both and Chesterton is good for the mind in so many ways!

\\ a few gifts for people that may or may not have been featured here.

It was a fabulous visit to Powell's and, while searching for different GKC works (he's in fiction, mystery, theology, mysticism, and literary criticism :), I struck up a conversation with a Powell's employee about how great Chesterton was, how exciting Pope Francis is, etc. [as you do].  She wrote out all the different stacks for me to check and then, before letting me loose to hunt for Chesterton, gave me a 10% off coupon.  Score!  

Love love love Powell's :)

Bibliophilic Christmas Gifts

Christmas is coming and I have some ideas for the lit nerd in your life!*  You don't have to settle for a Barnes & Noble or Amazon gift card (though, those are always gratefully accepted).  No matter the price point, gender, or age of your literary loved one, here are some gifts for your consideration:


* If you don't have a Lit Nerd in your life, I volunteer as tribute! 

Obvious State, via Etsy-
Evan Robertson is continually impressing me with his skill of working literary quotes into layered works of art.  But if his posters are a bit out of your budget, consider a set of his notebooks - any 3 for $12.  Now your bookworm has a place to jot down favorite quotes of their own:

Litographs:
What if you could wear the text of your favorite book in it's entirety?  With Litographs, there's no need google that great quote... just grab a magnifying glass!  Litographs offers tees ($34), totes ($29), and posters ($24) featuring brilliant (if at times harrowing) designs made up of the entire text.  The cool thing about your gift is that it's not just for your loved one.  Litographs partners with the International Book Bank so that with every product you purchase, they're able to send a book to a child in need.  Check out some of their cool designs below:

[The Great Gatsby]

[Poems of TS Eliot]

[And my favorite design, Persuasion]

Out of Print Clothing:
For variety and creativity, look no further than Out of Print.  They have an array of apparel and accessories featuring famous covers of famous books.  Like Litographs, they have a buy-one, give-one business model through their business partner, Books for Africa.  A few examples of their products include:

[a "Poe-ka Dot" tote - $18]

[Pride and Prejudice Journal - the "lines" of this notebook are comprised of micro-text famous quotes - $8]

[For the Lit Nerd in training, the Goodnight Moon onesie for $22]

Middle Earth Skirt, via Etsy:
Do they have their own custom-made, Middle-Earth skirt?  For just $45, you can rectify the situation here!

The Penguin Collection:
One of the most famous publishers of the 20th century, Penguin has a long list of devoted followers.  From their iconic green and orange paperbacks to their more recently popular cloth-covered editions, Penguin has a lot to offer, including "The Penguin Collection."  Also consider these postcards:

 

[100 Book Covers - $25]

LiteratiClub, via Etsy -
This Etsy shop specializes in literary scarves like the one below from Alice in Wonderland:

[Literati infinity scarf - $31]

You might also search Etsy if your Lit Nerd has a specific book or character they're a huge fan of.  For example: Hermione's time-turner, a Finnick necklace,  or an Anne of Green Gables poster.

What if you want to get them an actual book?  But you want it to be cool!  They can get the classics anywhere; they may or may not appreciate the latest NYT best-seller.  So, how about some unique book ideas for this Christmas:

   \\ The book lover in your life will go "absolutely ape" over this piece of art from Doug Dorst and, nerd-royalty, JJ Abrams.  "S" is a book within a book.  In their own words:

One book. Two readers. A world of mystery, menace, and desire.

A young woman picks up a book left behind by a stranger. Inside it are his margin notes, which reveal a reader entranced by the story and by its mysterious author. She responds with notes of her own, leaving the book for the stranger, and so begins an unlikely conversation that plunges them both into the unknown.

The book: Ship of Theseus, the final novel by a prolific but enigmatic writer named V.M. Straka, in which a man with no past is shanghaied onto a strange ship with a monstrous crew and launched onto a disorienting and perilous journey.

The writer: Straka, the incendiary and secretive subject of one of the world’s greatest mysteries, a revolutionary about whom the world knows nothing apart from the words he wrote and the rumors that swirl around him.

The readers: Jennifer and Eric, a college senior and a disgraced grad student, both facing crucial decisions about who they are, who they might become, and how much they’re willing to trust another person with their passions, hurts, and fears.

[this 3-dimensional, literary gem is available on amazon for just $21]

   \\ Tree of Codes by Jonathon Safran Foer is a book carved out of another book.  Bruno Schulz's novel Street of Crocodiles has been an influential work on the life and work of Foer (and on his wife, Nicole Krauss).  He decided to take the novel and extract a new one - not adding a single word, only by cutting out words.  The result?  An landmark literary and artistic work:

[via]

   \\ And finally, a book just for fun:  William Shakespeare's Star Wars by Ian Doescher.  I got to flip through this thing the other day, and let me tell you - it's golden!  And thanks to Amazon, it can be yours or your friend's (or yours) for $12.  Just check out the Star Wars prologue in perfect sonnet form:

[via]

Let me know in the comments if you or a book lover you know are asking for any wonderful, bookish presents this Christmas [no, a Kindle doesn't count].


Here's to a very, Merry Christmas for both you and the bibliophile in your life :)

31 Days of Books: A Review

Whew!  You guys, I did it.  31 book reviews in 31 days.  Some days I had to double up, and some reviews were probably more thoughtful than others, but they're all up!  Thank you to everyone who showed interest and encouraged this project.  It was not easy, but I feel like I learned a lot.

I though I'd recap by mentioning a few reflections on the project:

*  The whole "31 days" concept is a really good challenge if you want to express or share something you're passionate about.  I definitely want to do another one and don't think I'll wait till next October.

*  The hardest part of each post was the "One Sentence Summary."  You will probably notice a lot of complex sentences, bending the rules of what can be included in one sentence... but I knew if I allowed myself to elaborate on the plot, the review would become 1) way too long and 2) probably give too much away.

*  While I did modify the structure a bit along the way, I realized a bit too late that I should have included a rating system (e.g. out of five stars).  I specifically chose books I liked well enough to recommend - reviewing books you don't like can be fun, but gets too easy and boring over time - but some of these are a good 3.5/5 while others are novels par excellence.  Interestingly, as I added my reviews to goodreads, more than once I adjusted my rating on there to reflect how I feel about the book in hindsight.

*  When I first started out, I composed a list of what I was going to review.  Any of the requests I got for authors or specific books happened to already be included in that list.  [You know me so well ;]  The only alteration that was made after drafting up the list was to sub out "Silas Marner" to include a poem, The Love Song of J Alfred Prufrock. [If you're a big George Eliot fan, I'm sorry.  I just wasn't feeling up to her that day.]

*  By far, the most viewed review is Animal Farm, which kind of surprises me.

*  The funnest (and often easiest) part of each review was actually "One reason you maybe shouldn't read it."


I plan to continue more book reviews, and will likely use a similar structure, though I look forward on expanding certain parts of it.  I hope you enjoyed hearing a bit about each of these books.  Books are my love language and literally nothing compares to the feeling I get when people tell me they're reading a book I recommended or they're enjoying one of my favorites.  So, if you choose to pick up one of these, please do let me know and mention what you think of it.


Below I've compiled the final list with links to each review:

1. The Fault in Our Stars
2. The Princess Bride
3. Pygmalion
4. At the Back of the North Wind
5. A Wrinkle in Time
6. The Count of Monte Cristo
7. A Study in Scarlet
8. Northanger Abbey
9. The Woman in White
10. Much Ado about Nothing
11. Animal Farm
12. The Age of Innocence
13. Six Characters in Search of an Author
14. Oedipus Tyrannus
15. The Picture of Dorian Gray
16. Room
17. History of Love
18. Ender's Game
19. Manalive
20. Surprised by Oxford
21. A Severe Mercy
22. To the Lighthouse
23. Heart of Darkness
24. Hunchback of Notre-Dame
25. The Scarlet Pimpernel
26. A Tale of Two Cities
27. The Love Song of J Alfred Prufrock
28. To Kill a Mockingbird
29. Wieland
30. Phantom of the Opera
31. Frankenstein

Happy reading!

31 Days of Books: To Kill a Mockingbird

Title:  To Kill a Mockingbird

Author:  Harper Lee

Published:  1960

Year I read it:  2005

One sentence summary:  "Scout" Finch, a young tomboy, is growing up in southern Alabama when her father, attorney Atticus Finch, decides, against town sentiments, to represent a black man accused of raping a white girl, giving Scout and her brother, Jem, a harsh introduction to prejudices, racism, and misconstrued "justice."

Interesting fact:  In December of 1956, author & producer Michael Brown gave Harper Lee a gift: a year's worth of wages with a note that said, "You have one year off from your job to write whatever you please. Merry Christmas."  She wrote To Kill a Mockingbird - the only novel she published. [I think this is one of the best Christmas presents I've ever heard of, and I think we all owe him a  "Thank You" note.]

Three reasons to read it:

• Atticus Finch - without a doubt, one of the greatest fathers in print (or on screen).  He represents so much of what a father should be: patient, caring, and modeling virtues like true justice to his children.
• This book is offers a hard, but significant perspective on racism.  Lee based much of Scout's view on what her own childhood was like, growing up surrounded by racial prejudice, but just emerging to realize how wrong it was.
• Like I mentioned with Room, Lee finds a way to address a very difficult subject by approaching it from a child's point-of-view.  In doing so, she causes her audience to dial back into each person's innate sense of justice.  It's a very powerful technique.

One reason you maybe shouldn't:

• Not appropriate for very young children, but above 13 or so, highly recommended!

Great quotes:

“I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It's when you know you're licked before you begin, but you begin anyway and see it through no matter what."

“The one thing that doesn't abide by majority rule is a person's conscience.”  

“People generally see what they look for, and hear what they listen for.” 

"Mockingbirds don’t do one thing except make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corn cribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”  

“Sometimes the Bible in the hand of one man is worse than a whiskey bottle in the hand of (another)... There are just some kind of men who - who're so busy worrying about the next world they've never learned to live in this one, and you can look down the street and see the results.” 

“It was times like these when I thought my father, who hated guns and had never been to any wars, was the bravest man who ever lived.” 

31 Days of Writing: To the Lighthouse

Title:  To the Lighthouse

Author:  Virginia Woolf

Published:  1927

Year I read it:  2012

One sentence summary:  In this stream-of-consciousness, autobiographical novel,  Woolf tells the story of the Ramsay family and their artist-friends and of their visits to the Isle of Skye between 1910 and 1920.

Interesting fact:  Woolf felt haunted by memories of her parents until she started this novel and finished it very rapidly.  She wrote this novel, in part, to understand her parents better; and afterwards never sensed the haunting again.

Three reasons to read it:

• If you are wary of Virginia Woolf, modernism, stream-of-conciousness, or all three (as I was), this is a rather good place to start.  [I preferred it to Mrs. Dalloway - gasp!]
• Woolf's language is stunning!  She's writing prose as poetry or poetry as prose or something really amazing with bits of philosophy & psychology thrown in.  I enjoyed her language immensely!
• Interactions between the characters struck me as rather universal - wives and husband, children and fathers, the misunderstood and socially awkward nerd, the female artist being told her work in some way doesn't count.  They're people I've seem to have met - or seem to have been.

One reason you maybe shouldn't:

• Woolf can be hard to grasp.  There's so much in there - but it's fun trying!

Great quotes:

To be silent; to be alone. All the being and the doing, expansive, glittering, vocal, evaporated; and one shrunk, with a sense of solemnity, to being oneself, a wedge-shaped core of darkness, something invisible to others.

Never did anybody look so sad. Bitter and black, halfway down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waves swayed this way and that, received it, and were at rest. Never did anybody look so sad. 

What is the meaning of life? That was all—a simple question; one that tended to close in on one with years, the great revelation had never come. The great revelation perhaps never did come. Instead, there were little daily miracles, illuminations, matches struck unexpectedly in the dark.

It seemed to her such nonsense-inventing differences, when people, heaven knows, were different enough without that.